seven against thebes who attacked which gate

seven against thebes who attacked which gate

He speaks to them in a tone of comfort. [And I will not ask you one thing, lest I bring laughter on myself, whom each of these is joined with in battle or has received the wound from a troop of enemy spearmen. Also, perhaps the most famous Greek poet of the time, Pindar, lived in Thebes. This gradual shift of emphasis The basic question is this: do the names preserve the memory of actual fortifications, or are they purely the For war and incest both interrupt the normal exchange of women, one in excessive exogamy, one in excessive endogamy. At times these voices reply to each other antiphonally; at times, they join in unison. . However, Pausanias says that Thersander was their leader,[6] that Laodamas fled Thebes with the rest of the Thebans,[7] and that Thersander became king of Thebes.[8]. From this emphasis in the parodos on the many, the foreign, and the state, the last lines of the scene move to Eteocles, the Theban individual who by his own actions will bring the curse upon himself: I will take six men, myself to make a seventh and go to post them at the citys gates, opponents of the enemy, in gallant style, before quick messengers are on us and their words of haste burn us with urgency. Please note that content linked from this page may have different licensing terms. HISTORICAL CONTEXT Aeschylus was born in 525 B.C., probably in Eleusis, just outside Athens. Eteocles recognizes that the gods are in control of his destiny. The art of drama developed in the ancient Greek city-state of Athens in the late sixth century BC From the religious chants honoring Dionys, EURIPIDES The action occurs within the city as Eteocles prepares his city for the impending attack. One verbal motif, to which I shall return later, aptly sums up this dominant movement of the play as a whole. Nor are we, of course, to regard all the reported actions and utterances of the champions as synchronous. [4] While Aeschylus wrote his play to end with somber mourning for the dead brothers, it now contains an ending that serves as a lead-in of sorts to Sophocles' play: a messenger appears, announcing a prohibition against burying Polynices; his sister Antigone, however, announces her intention to defy this edict. ); The Suppliant Women(c. 463 B.C. What type of government did ancient Thebes have? Prologue From a discussion between Eteocles and a Scout, we learn that Thebes is under siege: led by Eteocles' brother Polynices, the Argive army is preparing to send seven of its fiercest fighters at each one of the city's legendary seven gates. A few lines from this text have long been known because they were quoted in commentaries and lexica by ancient scholars. Today: Grain is still useful as a by-product of war. Prior to his death, he places a curse on his two sons; they will never be able to settle their differences and will die in battle. Eteocles and Polyneices should have united in strength; instead they opposed one another and so both died. From Athena to Zeus: Basics of Greek Mythology, https://www.britannica.com/topic/Seven-Against-Thebes, Theoi Greek Mythology - Seven Against Thebes. [12], "Eureka! A Twenty-First-Century Perspective, https://www.encyclopedia.com/arts/educational-magazines/seven-against-thebes, There are no specific film productions of. Six of the seven gates have withstood the onslaught of the enemys armies, but the battle at the seventh gate has ended in tragedy. Hecht and Bacon provide a brief history and summary of the play and the characters in this essay. Related Content SOURCES The Oresteia Trilogy ( Agamemnon, Libation Bearers or Choephori and The Eumenides ), 7. Wise, Jennifer, Dionynsus Writes: The Invention of Theater in Ancient Greece, Cornell University Press, 1998. But historically, drama can also consist of tragedy, comedy, religious pageant, and spectacle. Wasson, Donald L.. "Seven Against Thebes." He set a formidable example for other dramatists, such as Sophocles and Euripedes. Although the chorus leader begs him not to go, Eteocles insists that he must. The falling action of Oedipus at Colonus is Oedipuss curse of Polynices. Because of his own experience in battle, Aeschyluss battle scenes are particularly vivid, easily evoking the terror and sounds of death. Conflict in the Seven is literally war, while the antithesis is a pairing of opponents with antithetical names. For the sake of brevity historians speak of Themistocles or Cimon or Pericles as doing this or that; yet these greater men were but agents of the will of the people, even though they may first have been the moulders of that will. Both the events and the language in this section of the earlier ode carry strong connotations of Oedipus. In the Judeo-Christian tradition, God is a powerful, though forgiving and beneficent creator. Speak! In the Oedipus myth, Laius defied the gods. To the Greek, with his lively sympathies and his ready response to a call upon his emotions, this formed an interesting chapter in the [mimesis biou/imitation of life] of the stage. 1045-1070.The Chorus reviews the situation and decides to go help Antigone with the illicit burial of Polynices. His sister, Antigone will not allow the councils edict to stand unchallenged, and follows her brothers body offstage, where the audience knows she will attend to his burial. Source: William G. Thalmann, Imagery I: The City, in Dramatic Art in Aeschyluss Seven against Thebes, Yale University Press, 1978, pp. As a result of his union with his mother, Jocasta, Oedipus fathers two sons who are destined to destroy one another: Eteocles and Polyneices. The Chorus rejects this attempt at appeasement proceed with their wails of warning. THEMES In Aeschylus tragedy Seven Against Thebes, Hippomedon is one of the seven champions who attack the seven gates of Thebes. Unfortunately, its present-day form may not be the same one penned by Aeschylus. Two generations of war between two powerful cities: Argos and Thebes. When a significant disaster occurred, these early Greeks looked toward the one thing they could control, their behavior, for answers. Concept is fully embedded in image, and figure is inseparable from idea. The chorus speaks aloud of the chaos behind the city walls; screams, roving bands of pillagers. This is the way Greek life functioned. Walton, J. Michael, Living Greek Theater, Greenwood, 1987. It is one which only occurs after consideration or to the critical student. He acknowledges the curse of his father, Oedipus, but Eteocles says that fate will determine the outcome, and if the gods are determined that he shall be destroyed, then this will happen. World History Encyclopedia is a non-profit organization. from scene to scene is, of course, yet one more reflection of the overall movement of the play. Aeschylus could count on his audience knowing the story depicted in the tragedy without his having to fill in a lot of details. For two reasons I shall deal but briefly with the concluding sections of the play. Drama for Students. The climax of the drama, after the seventh shield, when the two codes, that of the city and that of the family, diverge, does not constitute a sudden reversal, as many have suggested, a substitution of one set of terms for another, but is rather the culmination of a process which has governed the logic of the text from the beginning. The Herald warns her not to be disobedient to the state and Antigone warns the Herald not to order her about. SOPHOCLES 444 B.C. Eteocles and Polynices: Cursed Brothers and Sons of Oedipus, Parode and Related Terms in Ancient Greek Tragedy and Comedy, The Greek God Hades, Lord of the Underworld, Thomas George Tucker's edition of Aeschylus', M.A., Linguistics, University of Minnesota. The female Chorus, with their loud laments and cries of fear, represent all women, and women have failed Eteocles. Sexton, Timothy. His son, Haemon, threatens him and tries to kill him but ends up taking his own life. Over time, the first actor appeared. In this essay, Zeitlin discusses autochthony in relation to Eteokles, as well as the structure and identity of his role in the play. Encyclopedia.com. Greek society. . Seven Against Thebes, the story of the conflict between Eteocles and Polyneices, the sons of Oedipus, won Aeschylus a first prize at its initial performance. 274-355.Still worried, they pray to the gods to spread panic among the enemy. If, however, this ode as a whole contains only subtle hints of the plays dominant rhythm, its brief passages about Laius and Oedipus contain clear imitations in that both first focus on the safety of the city, then turn their attention to the family curse. Plays were not intended to hold up a mirror to life, but the playwright did hope that his play would touch the audience, forcing them to consider the implications of the behavior depicted on stage. The stage Euripides is not expressing simply his individual opinion, when he maintains in the Frogs of Aristophanes that poets can only claim admiration.. . When we have supplied these to the best of our ability, we are called upon to allow for sundry differences between the Greek point of view and our own in regard to a dramatic creation and its performance. It was appropriate that he was punished, and it was not unusual for this punishment to be extended to all his offspring. Women earned respect, Martin says, by obeying societys norms. The copyright holder has published this content under the following license: Creative Commons Attribution-NonCommercial-ShareAlike. ." Since the first two plays have not survived, a modern audience will never experience these plays in their entirety. License. This danger now, however, is not the collective danger of the Theban womens hysteria but the personal danger of the Theban curse. This very arbitrary nature of the gods meant that men could not determine their own fates, nor could they even assume responsibility for their own behavior. Of interest in this exchange between Eteocles and the Chorus is the threat of death that he adds to his chastisement to be silent. Oedipus recalls destruction of his own eyes; the wretched eunan of the captive maids recalls the wretched marriage of Oedipus (athlion gamon; and the final description of the fate of women captured in war is phrased so ambiguously as to suggest the marriages of both Oedipus and Laius: elpis esti nukteron telos molein pagklauton algeon epirrothon. This is quite evident is the climax; Antigone only appears in the final lines of the play to voice her concern about Polynices' unburied body. At the start we hear a great deal about the foreigners who are attacking the city; later, the foreigner repeatedly mentioned is the Chalybian stranger, that mysterious and haunting embodiment of the curse of Oedipus; thus we move from numerous foreigners threatening a whole city to a single Theban-rooted xenos who threatens the royal family. N.S. As warriors they would be especially concerned with such work upon shields, breastplates, and daggers. Authors usually write with an audience in mind. The challenge was not in the details of the story but in the poetic depiction. There, through seven paired speeches between himself and the scout, Eteokles seven times pairs enemy with defender until the barrier of the antithesis that guarantees the opposition begins to break down when brother faces brother at the seventh gate. The play would survive well into the Byzantine and Renaissance eras. Eteokles single adherence to polis in his appeal to the myth of the citys single origin can and does confirm a positive political ideology for the group. In Seven Against Thebes, Eteocles teaches the audience that hatred is destructive in its blindness. Metzger has a Ph.D., and specializes in literature and drama at The University of New Mexico, where she is a Lecturer in the English Department and an Adjunct Professor in the University Honors Program. These notes were contributed by members of the GradeSaver community. 707-776.The chorus and reveal the details of the family curse. Thebes had a democracy which is a system of government where the people rule. He asks the king who shall be sent to the first gate, who deserves their trust. The chorus leader is concerned and frightened: Our city groans from its foundation, we're surrounded. Not affiliated with Harvard College. It is thought that the plays first performance took place about, c. 550 BC The two sisters respond to the Chorus with their own grief, as they lament the curse that damned both brothers. This author looks at performances of several plays and encourages readers to consider the context in which the plays were performed. The relationship with the gods was without rules and dependent solely on whim. The line numbers do match the Perseus online edition, especially at the point of the funeral dirge. There are again inner parallels as well. No other play is as generous and as repetitive in establishing the competing codes and values at work in the system according to the fundamental dichotomies which regulate Greek thought: male/ female, enemy/friend, Greek/barbarian, inside/outside, self/other, man/god; and there is none that specifically elevates the task of making and unmaking binary oppositions to the level of a crucial and explicit action of the drama. That norm insists upon a dual allegianceto the general collective of the group as exemplified in the unifying myth of autochthony (origin from one, the mother earth) and to the individual family in its exogamous union of male and female (origin from two). When she learns that Polyneices is to be denied a proper burial, she vows to oppose the state and follow her own conscience. If anyone is criticised, it is the audience, which looked for such detail and description, but which Euripides does not this time propose to satisfy. And, in thematic terms, as we have seen, the best defense against genos is exclusive adherence to polis. For these words are empty, both those of the ones hearing and those of the one speaking, who, having gone in battle when a close-packed troop of spearmen is coming before his eyes, has reported clearly who is good.]. Antigones defiance of what she will call mans law (to distinguish it from gods law), will result in her death and the deaths of many more people. Eteocles tells them their noise will bring the ruin of the city. The name also attests to the legitimacy of the fathers prerogative to name his progeny and to inscribe the bearer of that name together with his patronymic in the continuing line of the family. What happened to the Seven Against Thebes? Seven Against Thebes is the third part of a trilogy written by one of the greatest of the Greek tragedians, Aeschylus in 467 BCE, winning first prize in competition at Dionysia. Try to research this story and determine its origin and source. As the play opens, the Chorus learns of the impending battle and attempt to seize the city. He attacks the Neistan gates, carrying a shield which displays a man scaling a tower with a ladder, on which shield it is written that not even Ares could cast him down. Although not mentioned in the play, according to the legend, the next generation of Argos returns to battle Thebes and is victorious. The second Theban war was fought, and won, ten years later by the Seven's sons, the Epigoni. 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seven against thebes who attacked which gate